Typography Task 3: Type Design & Communication
16.5.23-26.6.23/ Week 7- Week 13
Nitish A/L Naveen Kumar 0346592,
Typography, Bachelor of Design (HONOURS) in Creative Media
Task 3: Type Design & Communication
LECTURES
All Lecture
INSTRUCTIONS
TASK

Fig 2.2 Constructing Chosen letters into Ai 27/5/23

Fig 2.3 Constructing the Font 27/5/23

Fig 2.4 Font Constructed 4/6/23

Fig 2.5 Reconstructing Font 15/6/23
Fig 2.6 Finalising the Font in Ai 15/6/23

Fig 2.7 Importing letters from Ai to FontLab 8 18/6/23

Fig 2.8 Before adding the bearings 18/6/23

Fig 2.9 Adding the left and right bearing 18/6/23

Fig 3.1 Kerning the same letter 18/6/23
Fig 3.3 Metric table for 'aetkgri' 18/6/23
Fig 3.7 Final Outcome "Ancient" Poster A4 JPEG 25/6/23
Fig 3.8 Final Outcome "Ancient" Font JPEG 25/6/23
Fig 3.9 Final Outcome "Ancient" Poster A4 PDF 25/6/23
Fig 4.0 Final Outcome "Ancient" Font PDF 25/6/23
Week 9

Fig 1.0 Typography, Referenced : A Comprehensive Visual Guide to the Language, History, and Practice of Typography
Fig 1.1 Typefaces
Nitish A/L Naveen Kumar 0346592,
Typography, Bachelor of Design (HONOURS) in Creative Media
Task 3: Type Design & Communication
LECTURES
All Lecture
INSTRUCTIONS
TASK
Sketches
Digitalization Adobe Illustrator
Out of the 10 typeface I used Universe LT Bold Condense as my font
reference as well as deconstruction
Fig 1.9 Type Deconstruction T 25/5/23
Fig 2.0 Type Deconstruction M 25/5/23
Fig 2.1 Type Deconstruction G 25/5/23

Fig 2.2 Constructing Chosen letters into Ai 27/5/23

Fig 2.3 Constructing the Font 27/5/23

Fig 2.4 Font Constructed 4/6/23
As advised by Mr Vinod that this was a complete disaster, Mr Vinod
thought me how to construct with stroke rather than shapes.

Fig 2.5 Reconstructing Font 15/6/23
Redoing the Font in Ai using strokes, since I had very little time the
process was not much and was not documented.
Fig 2.6 Finalising the Font in Ai 15/6/23
Measurements
Baseline: 0 pt
X-Height: 500 pt
Ascender: 722 pt
Descender: -220 pt
Cap Height: 684 pt
Baseline: 0 pt
X-Height: 500 pt
Ascender: 722 pt
Descender: -220 pt
Cap Height: 684 pt
Digitalization Font Lab 8

Fig 2.7 Importing letters from Ai to FontLab 8 18/6/23
Importing the letters from AI to Font Lab 8

Fig 2.8 Before adding the bearings 18/6/23
Before adding the left and right bearing.

Fig 2.9 Adding the left and right bearing 18/6/23
After adding the left and right bearing (50 on the left, -50 on
the right).

Fig 3.1 Kerning the same letter 18/6/23
Kerning the same letter twice for every letters in
'aetkgriympn'. Adjusted the 'a' and 'e' as they were too big.
Showing the metric table for 'ympn'. Metric table for 'ympn'.
Fig 3.3 Metric table for 'aetkgri' 18/6/23
Showing the metric table for 'aetkgri'.
Font download: Ancient Font
Fig 3.8 Final Outcome "Ancient" Font JPEG 25/6/23
Fig 3.9 Final Outcome "Ancient" Poster A4 PDF 25/6/23
Fig 4.0 Final Outcome "Ancient" Font PDF 25/6/23
FEEDBACK
Week 9
General Feedback: Follow the process that was given to us to digitize our letterings.
Specific Feedback: Make sure if you're using the brush tool to have the size big enough to cover your lettering, the G and Y have to alter the bottom part as mine is too long, the letters should cover the entirety of the baseline to the median line.
Week 10
General Feedback:
Specific Feedback:
Week 11
General Feedback: Compile the sketches to make it more tidy, better to compile the sketches, no jump links for other sections (further reading, etc), better to have some explanations for some of the work process.
Specific Feedback: The font is an absolute disaster have to change it from scratch.
Week 12
General Feedback: Absent
Specific Feedback: Make sure if you're using the brush tool to have the size big enough to cover your lettering, the G and Y have to alter the bottom part as mine is too long, the letters should cover the entirety of the baseline to the median line.
Week 10
General Feedback:
Specific Feedback:
Week 11
General Feedback: Compile the sketches to make it more tidy, better to compile the sketches, no jump links for other sections (further reading, etc), better to have some explanations for some of the work process.
Specific Feedback: The font is an absolute disaster have to change it from scratch.
Week 12
General Feedback: Absent
Specific Feedback: Absent
REFLECTIONS
Experience
Just like all the other typography projects this was hard as well, it was fun as that I get the experience hands on to create my own unique font no matter how disasters it is. This project has thought me the hard and lengthy process and hardships to just create a few letters as well as punctuations I wonder how it will be to create and entire letters from a to z. This was an experience I found enjoyable since I do like fonts especially tolkeins typeface like the elvish letterings, I also like the runic typeface but I can't tell which century has a desirable style.
Observations
Ive observed that when deconstructing the font that there are so much in play even though they all look alike there's quite a huge difference between all of them.
Findings
REFLECTIONS
Experience
Just like all the other typography projects this was hard as well, it was fun as that I get the experience hands on to create my own unique font no matter how disasters it is. This project has thought me the hard and lengthy process and hardships to just create a few letters as well as punctuations I wonder how it will be to create and entire letters from a to z. This was an experience I found enjoyable since I do like fonts especially tolkeins typeface like the elvish letterings, I also like the runic typeface but I can't tell which century has a desirable style.
Observations
Ive observed that when deconstructing the font that there are so much in play even though they all look alike there's quite a huge difference between all of them.
Findings
Ive found that although it was a few letters the process taken was very long
and lengthy as it there is so much to change and fix, one problem has a
solution another problem appears. The sketching helped as it gave a desirable
style we could use to create our own font.
FURTHER READING
FURTHER READING

Fig 1.0 Typography, Referenced : A Comprehensive Visual Guide to the Language, History, and Practice of Typography
Fig 1.1 Typefaces
Three basic groups for most typefaces
Serif (little feet & tails)
Without Serif (designed to look like cursive handwriting)
Scripts (designed to look like cursive handwriting)
Without Serif (designed to look like cursive handwriting)
Scripts (designed to look like cursive handwriting)
Fig 1.2 Serif Neoclassical/ Didone
Serif Neoclassical/ DidoneContrast between thick and thin strokes is abrupt and dramatic here. The axis of curved strokes is vertical, with little to no bracketing.
Fig 1.3 Serif Glyphic
Serif Glyphic
Typefaces in this category tend to reflect lapidary inscriptions rather than pen-drawn text.
Typefaces in this category tend to reflect lapidary inscriptions rather than pen-drawn text.























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